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	<title>Comments on: Five things you might not have known about the samurai</title>
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		<title>By: Dave</title>
		<link>http://www.asianart.org/blog/index.php/2009/05/29/5-samurai-facts/comment-page-1/#comment-6488</link>
		<dc:creator>Dave</dc:creator>
		<pubDate>Tue, 26 Jan 2010 05:50:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.asianart.org/blog/?p=469#comment-6488</guid>
		<description>Wow. Number 2 definitely caught me off guard.  I always have an image of warriors being sweaty and stinky, so the appreciation of a fine incense may just make sense!   Thanks for this info. I&#039;m glad I stumbled here.</description>
		<content:encoded><![CDATA[<p>Wow. Number 2 definitely caught me off guard.  I always have an image of warriors being sweaty and stinky, so the appreciation of a fine incense may just make sense!   Thanks for this info. I&#8217;m glad I stumbled here.</p>
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		<title>By: Jojo</title>
		<link>http://www.asianart.org/blog/index.php/2009/05/29/5-samurai-facts/comment-page-1/#comment-3029</link>
		<dc:creator>Jojo</dc:creator>
		<pubDate>Thu, 29 Oct 2009 23:35:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.asianart.org/blog/?p=469#comment-3029</guid>
		<description>This is a very interesting post. I love reading and watching about samurai. I dreamed to be a samurai warrior like Azumi. Japanese culture is really interesting.</description>
		<content:encoded><![CDATA[<p>This is a very interesting post. I love reading and watching about samurai. I dreamed to be a samurai warrior like Azumi. Japanese culture is really interesting.</p>
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		<title>By: Kaz</title>
		<link>http://www.asianart.org/blog/index.php/2009/05/29/5-samurai-facts/comment-page-1/#comment-652</link>
		<dc:creator>Kaz</dc:creator>
		<pubDate>Fri, 31 Jul 2009 04:13:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.asianart.org/blog/?p=469#comment-652</guid>
		<description>One of the most interesting and crucial aspects of the samurai was SHUDO. According to writer Ihara Saikaku it would have been asked why a man did NOT have a male lover. Shudo (or male/male love) was considered &quot;The Flower of the Samurai Spirit&quot;. It began to erode with the opening of Japan to the west and the rejection of the Edo period that consumed much of the Meiji Restoration.</description>
		<content:encoded><![CDATA[<p>One of the most interesting and crucial aspects of the samurai was SHUDO. According to writer Ihara Saikaku it would have been asked why a man did NOT have a male lover. Shudo (or male/male love) was considered &#8220;The Flower of the Samurai Spirit&#8221;. It began to erode with the opening of Japan to the west and the rejection of the Edo period that consumed much of the Meiji Restoration.</p>
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		<title>By: sri mudrabear</title>
		<link>http://www.asianart.org/blog/index.php/2009/05/29/5-samurai-facts/comment-page-1/#comment-347</link>
		<dc:creator>sri mudrabear</dc:creator>
		<pubDate>Wed, 01 Jul 2009 08:20:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.asianart.org/blog/?p=469#comment-347</guid>
		<description>As for the initial comment on the connection between samurai ethics and Zen, two points should be made:

One is the famous koan where Nansen kills a cat when no monk could answer his challenge. This suggests that, in the right situation there is a &quot;nondual&quot; kind of killing that is in accord with the Zen interpretation of Buddhist precepts.

The other point is that, whether or not such a reading is justified, it was certainly used widely during the second world war to add a spiritual and ethical dimension to combat. Most American Zen students do not realize that some of the major teachers who brought Zen to the West in the postwar teacher were either influenced by or were themselves monks who spoke out openly in favor of the war and provided spiritual ideological support for killing. Suzuki himself was quite a nationalist. This sobering tale is well told in Brian Victoria&#039;s book &lt;em&gt;Zen at War.&lt;/em&gt;</description>
		<content:encoded><![CDATA[<p>As for the initial comment on the connection between samurai ethics and Zen, two points should be made:</p>
<p>One is the famous koan where Nansen kills a cat when no monk could answer his challenge. This suggests that, in the right situation there is a &#8220;nondual&#8221; kind of killing that is in accord with the Zen interpretation of Buddhist precepts.</p>
<p>The other point is that, whether or not such a reading is justified, it was certainly used widely during the second world war to add a spiritual and ethical dimension to combat. Most American Zen students do not realize that some of the major teachers who brought Zen to the West in the postwar teacher were either influenced by or were themselves monks who spoke out openly in favor of the war and provided spiritual ideological support for killing. Suzuki himself was quite a nationalist. This sobering tale is well told in Brian Victoria&#8217;s book <em>Zen at War.</em></p>
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		<title>By: edeb</title>
		<link>http://www.asianart.org/blog/index.php/2009/05/29/5-samurai-facts/comment-page-1/#comment-321</link>
		<dc:creator>edeb</dc:creator>
		<pubDate>Mon, 29 Jun 2009 06:58:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.asianart.org/blog/?p=469#comment-321</guid>
		<description>Hi coreylynn, 

I am not sure if you are asking about samurai women in film roles or in history? I will assume the latter. There are some stories of heroic samurai women (daughters, wives, sisters of samurai). Two in particular come to mind from the present exhibition.

One is about Hosokawa Gracia, the Christian wife of the warrior Hosokawa Tadaoki who preferred to die rather than be taken hostage by her husband&#039;s opponent. A bell for a church commissioned in her memory is in the exhibition. 

Another famous story of a samurai woman is depicted in a painting in the exhibition. It shows Tomoe Gozen in full armor on horseback carrying off the head of one of her enemies. Here is &lt;a href=&quot;http://en.wikipedia.org/wiki/Tomoe_Gozen&quot; rel=&quot;nofollow&quot;&gt;her story on wikipedia&lt;/a&gt;

Also, check out this &lt;a href=&quot;http://www.koryu.com/Library/wwj1.html&quot; rel=&quot;nofollow&quot;&gt;article on women warriors&lt;/a&gt; of Japan. In it the author questions whether Tomoe Gozen was a real person. 

This is not the most definitive answer to your question, but may get you pointed towards some interesting reading. Whether she was real or not, Tomoe&#039;s story was hugely popular, appearing in the Tales of the Heike and in countless woodblock prints and paintings--see the &lt;a href=&quot;http://images.google.com/images?q=tomoe+gozen&amp;oe=utf-8&amp;rls=org.mozilla:en-US:official&amp;client=firefox-a&amp;um=1&amp;ie=UTF-8&amp;ei=kWJISqrHLoWwMJbh9KsB&amp;sa=X&amp;oi=image_result_group&amp;ct=title&amp;resnum=239686785&quot; rel=&quot;nofollow&quot;&gt;images &lt;/a&gt;that came up in a Google image search.</description>
		<content:encoded><![CDATA[<p>Hi coreylynn, </p>
<p>I am not sure if you are asking about samurai women in film roles or in history? I will assume the latter. There are some stories of heroic samurai women (daughters, wives, sisters of samurai). Two in particular come to mind from the present exhibition.</p>
<p>One is about Hosokawa Gracia, the Christian wife of the warrior Hosokawa Tadaoki who preferred to die rather than be taken hostage by her husband&#8217;s opponent. A bell for a church commissioned in her memory is in the exhibition. </p>
<p>Another famous story of a samurai woman is depicted in a painting in the exhibition. It shows Tomoe Gozen in full armor on horseback carrying off the head of one of her enemies. Here is <a href="http://en.wikipedia.org/wiki/Tomoe_Gozen" rel="nofollow">her story on wikipedia</a></p>
<p>Also, check out this <a href="http://www.koryu.com/Library/wwj1.html" rel="nofollow">article on women warriors</a> of Japan. In it the author questions whether Tomoe Gozen was a real person. </p>
<p>This is not the most definitive answer to your question, but may get you pointed towards some interesting reading. Whether she was real or not, Tomoe&#8217;s story was hugely popular, appearing in the Tales of the Heike and in countless woodblock prints and paintings&#8211;see the <a href="http://images.google.com/images?q=tomoe+gozen&amp;oe=utf-8&amp;rls=org.mozilla:en-US:official&amp;client=firefox-a&amp;um=1&amp;ie=UTF-8&amp;ei=kWJISqrHLoWwMJbh9KsB&amp;sa=X&amp;oi=image_result_group&amp;ct=title&amp;resnum=239686785" rel="nofollow">images </a>that came up in a Google image search.</p>
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		<title>By: coreylynn</title>
		<link>http://www.asianart.org/blog/index.php/2009/05/29/5-samurai-facts/comment-page-1/#comment-313</link>
		<dc:creator>coreylynn</dc:creator>
		<pubDate>Sun, 28 Jun 2009 01:17:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.asianart.org/blog/?p=469#comment-313</guid>
		<description>Does anyone know anything about women in samurai roles?</description>
		<content:encoded><![CDATA[<p>Does anyone know anything about women in samurai roles?</p>
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		<title>By: xensen</title>
		<link>http://www.asianart.org/blog/index.php/2009/05/29/5-samurai-facts/comment-page-1/#comment-232</link>
		<dc:creator>xensen</dc:creator>
		<pubDate>Tue, 23 Jun 2009 15:58:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.asianart.org/blog/?p=469#comment-232</guid>
		<description>Thank you, Carlos. You are onto a distinction that would be made according to the Japanese usage of these terms.

My understanding is as follows. The word &lt;em&gt;samurai&lt;/em&gt; is used differently in English from the way it is used in Japanese. In the original Japanese usage, samurai were lower-level members of the warrior class. Miyamoto was a bushi, but in English the word samurai is applied to warriors of any status -- even though this would be incorrect in strict Japanese usage. 

A lower-level warrior/samurai who lost his master would become an unemployed warrior (ronin), but would not cease to become a member of the warrior/samurai class. Of course, at the end of his life Miyamoto served under the Hosokawa, so he was not always masterless.</description>
		<content:encoded><![CDATA[<p>Thank you, Carlos. You are onto a distinction that would be made according to the Japanese usage of these terms.</p>
<p>My understanding is as follows. The word <em>samurai</em> is used differently in English from the way it is used in Japanese. In the original Japanese usage, samurai were lower-level members of the warrior class. Miyamoto was a bushi, but in English the word samurai is applied to warriors of any status &#8212; even though this would be incorrect in strict Japanese usage. </p>
<p>A lower-level warrior/samurai who lost his master would become an unemployed warrior (ronin), but would not cease to become a member of the warrior/samurai class. Of course, at the end of his life Miyamoto served under the Hosokawa, so he was not always masterless.</p>
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		<title>By: Carlos</title>
		<link>http://www.asianart.org/blog/index.php/2009/05/29/5-samurai-facts/comment-page-1/#comment-214</link>
		<dc:creator>Carlos</dc:creator>
		<pubDate>Sun, 21 Jun 2009 04:37:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.asianart.org/blog/?p=469#comment-214</guid>
		<description>A minor comment on this piece is that Miyamoto Musashi, &quot;the most famous samurai of all&quot;, was never a samurai. He was Bushi (warrior) who never had a master, so in other words, he never &quot;served&quot; as the word samurai implies. Musashi did live as a guest of honor for several &quot;lords&quot;, including the Hosokawa, but he always refuse to be a retainer to anyone. Miyamot&#039;s martial arts lifestyle embodies many of the samurai traits, but not all.</description>
		<content:encoded><![CDATA[<p>A minor comment on this piece is that Miyamoto Musashi, &#8220;the most famous samurai of all&#8221;, was never a samurai. He was Bushi (warrior) who never had a master, so in other words, he never &#8220;served&#8221; as the word samurai implies. Musashi did live as a guest of honor for several &#8220;lords&#8221;, including the Hosokawa, but he always refuse to be a retainer to anyone. Miyamot&#8217;s martial arts lifestyle embodies many of the samurai traits, but not all.</p>
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		<title>By: xensen</title>
		<link>http://www.asianart.org/blog/index.php/2009/05/29/5-samurai-facts/comment-page-1/#comment-73</link>
		<dc:creator>xensen</dc:creator>
		<pubDate>Sat, 30 May 2009 05:09:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.asianart.org/blog/?p=469#comment-73</guid>
		<description>I suppose that sometimes strange paths can lead to unexpected places. Maybe it&#039;s a little, in a way, like Graham Greene&#039;s &lt;em&gt;Brighton Rock,&lt;/em&gt; where the atheist is portrayed as closer to the believer than is the agnostic (though I doubt this would be Susuki&#039;s reasoning).</description>
		<content:encoded><![CDATA[<p>I suppose that sometimes strange paths can lead to unexpected places. Maybe it&#8217;s a little, in a way, like Graham Greene&#8217;s <em>Brighton Rock,</em> where the atheist is portrayed as closer to the believer than is the agnostic (though I doubt this would be Susuki&#8217;s reasoning).</p>
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		<title>By: Shalom</title>
		<link>http://www.asianart.org/blog/index.php/2009/05/29/5-samurai-facts/comment-page-1/#comment-71</link>
		<dc:creator>Shalom</dc:creator>
		<pubDate>Sat, 30 May 2009 02:08:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.asianart.org/blog/?p=469#comment-71</guid>
		<description>This is a very interesting topic, particularly point 4. I&#039;m surprised that the honorable DT Suzuki didn&#039;t bring up the issue of the conflict between the first of the five Buddhist precepts (Do not kill), and one of the most fundamental jobs of the samurai, to kill on the command of one&#039;s master, without the slightest hesitation. This is far from a trivial conflict; rather, it strikes me as a diametrical opposition. 

Of course, almost all of the qualities that typify Zen practice and life (except for the not killing part) would benefit a samurai, and it makes sense that samurai would draw from this deep reserve, but I question whether the life of the samurai and that of the Zen practitioner are fundamentally, philosophically, practically compatible.</description>
		<content:encoded><![CDATA[<p>This is a very interesting topic, particularly point 4. I&#8217;m surprised that the honorable DT Suzuki didn&#8217;t bring up the issue of the conflict between the first of the five Buddhist precepts (Do not kill), and one of the most fundamental jobs of the samurai, to kill on the command of one&#8217;s master, without the slightest hesitation. This is far from a trivial conflict; rather, it strikes me as a diametrical opposition. </p>
<p>Of course, almost all of the qualities that typify Zen practice and life (except for the not killing part) would benefit a samurai, and it makes sense that samurai would draw from this deep reserve, but I question whether the life of the samurai and that of the Zen practitioner are fundamentally, philosophically, practically compatible.</p>
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