Archive of Posts by Cristina Lichauco

Assistant Registrar, Asian Art Museum

Not so hidden after all

Flying someplace fabulous this summer? If so you might just stumble across the Asian Art Museum on your way out of town.

Hidden Meanings in Chinese Art at San Francisco International Airport

Hidden Meanings: Symbolism in Chinese Art at San Francisco International Airport (photo courtesy San Francisco Airport Museums).

Beginning this week, more than one hundred objects from the museum’s collection will be featured in the San Francisco International Airport (SFO) exhibition Hidden Meanings: Symbolism in Chinese Art. Based on the work of Asian Art Museum curator emeritus Terese Tse Bartholomew, this exhibition explores auspicious symbols and wish-granting motifs found in Chinese art.
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Art outside our doors

If you’ve been around the museum this morning, you’ve probably noticed a flurry of activity across the street from us. In celebration of the Shanghai San Francisco Sister City 30th Anniversary Celebration, the  San Francisco Arts Commission is presenting a colossal sculpture by Chinese artist Zhang Huan, titled Three Heads Six Arms (2008).

We blogged about this upcoming addition to the neighborhood some months ago, and are now thrilled to actually see it going up right outside our doors!

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In the galleries: a few additions

Over the coming months, astute visitors may notice some gallery changes that are not part of our regularly scheduled gallery rotations. This is because with Shanghai is up for an extended period, museum staff have an opportunity to rotate some of our less light sensitive objects, including bronzes, ceramics, and stone sculpture. This week we started by installing three new works in the South Asian and Chinese galleries.

First, newly on view in the South Asian galleries is a recently acquired silver bowl featuring scenes of Zoroastrian rulers. Made in a Burmese silver shop for a well-to-do Parsi family, this impressive bowl measures more than a foot in diameter and was meant for use in an annual ceremony honoring deceased relatives.

Ceremonial bowl with Zoroastrian themes, approx. 1875. Burma. Silver. Acquisition made possible by the Zarthosti Anjuman of Northern California, Rati Forbes, Betty N. Alberts, and members of the board of the Society for Asian Art in honor of Past President Nazneen Spliedt, AAM #2009.25

Ceremonial bowl with Zoroastrian themes, approx. 1875. Burma. Silver. Acquisition made possible by the Zarthosti Anjuman of Northern California, Rati Forbes, Betty N. Alberts, and members of the board of the Society for Asian Art in honor of Past President Nazneen Spliedt, AAM# 2009.25


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Spring rotations

Have you been in the galleries recently? If so, you may have noticed that we are in the midst of rotation season right now. Each week, we remove another group of light sensitive objects from view and replace them with works from storage. Attentive visitors can track these changes by looking for the blue “newly on view” dots in the galleries.

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Japanese baskets, newly on view

Most recently we’ve made changes to our Chinese painting display, Japanese basket area, and the second floor Korean gallery. So what might you see on your next visit?


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Somewhere a Shanghai garden grows

"Vestiges of a Process: Shanghai Garden" part-way through installation.

"Vestiges of a Process: Shanghai Garden" during installation.

Shanghai has been up a little more than a week, long enough for a number of media reviews, blog posts, and general discussion points to emerge. One piece that seems to elicit particular comment is Zhang Jian Jun’s installation Vestiges of a Process: Shanghai Garden (2009).

Down in the shadowy basement and back halls of the museum services division, this is known affectionately as the piece with the bricks. Not just your garden variety red clay bricks, but some 3,000 antique grey bricks taken from the remains of buildings dating to the high-times of 1920s Shanghai, recently demolished to pave the way for new construction.


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Shanghai update

Whew! Our first week of installation for Shanghai is over, and week two is about to begin. All of the objects have arrived safely and the galleries are beginning to really take shape. The exhibition crew has been busy condition checking artwork, hanging paintings, dressing mannequins, and dealing with all of the assorted surprises that emerge with a project of this complexity. Here a few behind the scenes images from the past week.

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A detail of the neon tube components of Shen Fan's installation "Landscape—Commemorating Huang Binhong—Small Scroll."



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Shanghai sneak peek – Qipao

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From behind the scenes of Shanghai, stylish qipao from the Shanghai History Museum are unpacked for condition checking. A total of five of these body-hugging garments, featuring rich fabrics and art deco inspired motifs, are included in the “High Times” section of the exhibition. First worn by fashionable women in Shanghai during the 1920s and 1930s, the distinctive qipao remains popular today.

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Shanghai remodeling

With Shanghai right around the corner, museum preparation staff have been busy reconfiguring the museum in ways we haven’t quite seen before.

Objects selected  for Shanghai include not only the 2-D paintings and works on paper that visitors might expect, but a wide variety of furniture, textile arts, video works, and contemporary installations by leading Shanghai artists. This variety of object types can be a challenge for our designer. In particular, the museum’s existing gallery spaces were not originally designed to fit contemporary installation art or to display video art.

As a result, various spaces around the museum have been receiving substantial Shanghai makeovers.

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Windows to north court are covered with new walls to create additional display space.


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A little holiday travel cheer

The holidays are upon us and that means one thing — many hours spent braving the timeless monotony of airport terminals. But for those of you flying through San Francisco International Airport this season, we’ve got a special treat for your weary eyes. You see, there is a little project that we’ve been working on behind-the-scenes.

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Jades await condition checking at the San Francisco Airport Museums

Beginning the week of Christmas, the San Francisco Airport Museums (yes, the airport has a fully-accredited museum) will host The Resplendent Stone: Chinese Jades from the 18th-20th Centuries. Drawn from the Asian Art Museum’s extensive jade collection, this is the first of several exhibitions to be produced by the San Francisco Airport Museums with loans from the Asian Art Museum.
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Have you taken your daily tour?

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Museum staff enjoy a tour of Emerald Cities with curator Dr. Forrest McGill.

This past Friday, Chief Curator Forrest McGill took the staff of the Asian Art Museum on a tour of Emerald Cities. Such staff tours are a bit of a tradition after each exhibition opening — with all the busy schedules around here it can be surprising hard to find time to actually look at the art!
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