Somewhere a Shanghai garden grows

"Vestiges of a Process: Shanghai Garden" during installation.

Shanghai has been up a little more than a week, long enough for a number of media reviews, blog posts, and general discussion points to emerge. One piece that seems to elicit particular comment is Zhang Jian Jun’s installation Vestiges of a Process: Shanghai Garden (2009).

Down in the shadowy basement and back halls of the museum services division, this is known affectionately as the piece with the bricks. Not just your garden variety red clay bricks, but some 3,000 antique grey bricks taken from the remains of buildings dating to the high-times of 1920s Shanghai, recently demolished to pave the way for new construction.

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Shanghai update

Whew! Our first week of installation for Shanghai is over, and week two is about to begin. All of the objects have arrived safely and the galleries are beginning to really take shape. The exhibition crew has been busy condition checking artwork, hanging paintings, dressing mannequins, and dealing with all of the assorted surprises that emerge with a project of this complexity. Here a few behind the scenes images from the past week.

A detail of the neon tube components of Shen Fan's installation "Landscape—Commemorating Huang Binhong—Small Scroll."

Shanghai sneak peek – Qipao

From behind the scenes of Shanghai, stylish qipao from the Shanghai History Museum are unpacked for condition checking. A total of five of these body-hugging garments, featuring rich fabrics and art deco inspired motifs, are included in the “High Times” section of the exhibition. First worn by fashionable women in Shanghai during the 1920s and 1930s, the distinctive qipao remains popular today.

Shanghai remodeling

With Shanghai right around the corner, museum preparation staff have been busy reconfiguring the museum in ways we haven’t quite seen before.

Objects selected  for Shanghai include not only the 2-D paintings and works on paper that visitors might expect, but a wide variety of furniture, textile arts, video works, and contemporary installations by leading Shanghai artists. This variety of object types can be a challenge for our designer. In particular, the museum’s existing gallery spaces were not originally designed to fit contemporary installation art or to display video art.

As a result, various spaces around the museum have been receiving substantial Shanghai makeovers.

Windows to north court are covered with new walls to create additional display space.

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A little holiday travel cheer

The holidays are upon us and that means one thing — many hours spent braving the timeless monotony of airport terminals. But for those of you flying through San Francisco International Airport this season, we’ve got a special treat for your weary eyes. You see, there is a little project that we’ve been working on behind-the-scenes.

Jades await condition checking at the San Francisco Airport Museums

Beginning the week of Christmas, the San Francisco Airport Museums (yes, the airport has a fully-accredited museum) will host The Resplendent Stone: Chinese Jades from the 18th-20th Centuries. Drawn from the Asian Art Museum’s extensive jade collection, this is the first of several exhibitions to be produced by the San Francisco Airport Museums with loans from the Asian Art Museum.
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Have you taken your daily tour?

Museum staff enjoy a tour of Emerald Cities with curator Dr. Forrest McGill.

This past Friday, Chief Curator Forrest McGill took the staff of the Asian Art Museum on a tour of Emerald Cities. Such staff tours are a bit of a tradition after each exhibition opening — with all the busy schedules around here it can be surprising hard to find time to actually look at the art!
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Orchids: A Tribute to Doris Duke

As if Emerald Cities wasn’t glitzy enough, we’ve go a little extra eye candy for visitors attending opening week festivities. For one week only, the Asian Art Museum is presenting Orchids: A Tribute to Doris Duke. Doris Duke, who collected many of the works on view in Emerald Cities, was also a great lover of orchids. In her honor, we’ve invited floral designers from around the bay area to each create a display of these tropical beauties in the museum’s North and South Courts. These striking arrangements will be on view this week through Sunday October 25.  Enjoy them while they last!

An Emerald Cities teaser

While wandering the museum this week, you may notice lots of activity on the ground floor outside of our special exhibition galleries. Although the majority of Emerald Cities activity is happening behind screens and closed doors — accessible only to exhibition staff — we do have a small teaser in the works. Two metal sculptures from the show will visibly grace North Court starting this week. 
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Goodbye Samurai

It’s time to send-off another wonderful exhibition. For all of us, the fourteen week run of Lords of the Samurai has felt remarkably short. Compared to the years of work that go into organizing an exhibition of this scale, and the centuries of history represented by the works within, these few weeks are but an instant.

Objects wait for a final condition check before packing

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Countdown to Emerald Cities

Putting together a major art exhibition is not a quick process, with the planning for most shows starting years in advance. But no matter how ahead we begin work, the final two months before an exhibition opens will always be crunch time.

Emerald Cities does not debut until October 23, but its installation is complicated by the concurrent deinstallation of Lords of the Samuari (ending September 20). This is not atypical — we try and keep the turn around time (or “dark time”) between exhibitions as short as possible. Since these two exhibitions share many of the same behind-the-scenes staff, the result is a whole lot of people running around with brains and workspaces messily split between Japan and Southeast Asia.

So here are a few pics of this ongoing mayhem, as museum staff work to complete as much Emerald Cities prep as possible before jumping into packing up Lords of the Samurai.

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