The Asian Art Museum travels on the Silk Road

The Asian Art Museum often provides loans from our collection to other museums for permanent gallery display (see my May 7 blog entry about lending to the San Antonio Museum of Art) and for special exhibitions.  Sometimes the borrowing institution travels these exhibitions on to other museums.  This past summer, we lent several objects to an exhibition titled The Silk Road – Ancient Pathway to the Modern World organized by the American Museum of Natural History (AMNH) in New York.

"The Silk Road" at AMNH (image courtesy American Museum of Natural History)

Since this is a natural history museum, the show was presented in a very different manner than an exhibition at the Asian would be.
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Installing Japanese Screens

The Beyond Golden Clouds: Five Centuries of Japanese Screens exhibition has arrived from halfway across the country — the St. Louis Art Museum and the Art Institute of Chicago. Staff from each institution were required to accompany the shipments by riding on long-haul trucks for well over 40 hours. We are now installing the exhibition and the screens, and the galleries are really lovely. One of the most exciting pieces is contemporary, the From the Mountain Lake Screen Tachi Series by Okura Jiro; the screens in this series have gold foil pieces attached to them, and they leave some tiny pieces of gold foil in their wake. This is not normally what we like to see, but the artist created these screens with the intention of seeing them deteriorate over the years.

In a true collaboration, both lenders have portions of the screen and we have placed them together, and they are fantastic. The screens are a wonderful mixture of traditional and contemporary and I look forward to the public will be able to see them on Oct. 15.

Asian Art in San Antonio

I recently returned from a site visit to the San Antonio Museum of Art (SAMA) where we have some loans from our collection that we have been checking each year.  I feel a strong connection to SAMA because it was the first loan I coordinated when I first began working at the Asian in 1991.

Rear view of the San Antonio Museum of Art (SAMA)

The Asian has had loans from our permanent collection on view at the San Antonio Museum of Art (SAMA) since February 1992. At that time SAMA, which opened their doors in 1981 in the remodeled historic Lone Star Brewery complex, had a collection of Asian Art which they supplemented by borrowing additional pieces for display.

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Somewhere a Shanghai garden grows

"Vestiges of a Process: Shanghai Garden" during installation.

Shanghai has been up a little more than a week, long enough for a number of media reviews, blog posts, and general discussion points to emerge. One piece that seems to elicit particular comment is Zhang Jian Jun’s installation Vestiges of a Process: Shanghai Garden (2009).

Down in the shadowy basement and back halls of the museum services division, this is known affectionately as the piece with the bricks. Not just your garden variety red clay bricks, but some 3,000 antique grey bricks taken from the remains of buildings dating to the high-times of 1920s Shanghai, recently demolished to pave the way for new construction.

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Shanghai update

Whew! Our first week of installation for Shanghai is over, and week two is about to begin. All of the objects have arrived safely and the galleries are beginning to really take shape. The exhibition crew has been busy condition checking artwork, hanging paintings, dressing mannequins, and dealing with all of the assorted surprises that emerge with a project of this complexity. Here a few behind the scenes images from the past week.

A detail of the neon tube components of Shen Fan's installation "Landscape—Commemorating Huang Binhong—Small Scroll."

Shanghai sneak peek – Qipao

From behind the scenes of Shanghai, stylish qipao from the Shanghai History Museum are unpacked for condition checking. A total of five of these body-hugging garments, featuring rich fabrics and art deco inspired motifs, are included in the “High Times” section of the exhibition. First worn by fashionable women in Shanghai during the 1920s and 1930s, the distinctive qipao remains popular today.

A little holiday travel cheer

The holidays are upon us and that means one thing — many hours spent braving the timeless monotony of airport terminals. But for those of you flying through San Francisco International Airport this season, we’ve got a special treat for your weary eyes. You see, there is a little project that we’ve been working on behind-the-scenes.

Jades await condition checking at the San Francisco Airport Museums

Beginning the week of Christmas, the San Francisco Airport Museums (yes, the airport has a fully-accredited museum) will host The Resplendent Stone: Chinese Jades from the 18th-20th Centuries. Drawn from the Asian Art Museum’s extensive jade collection, this is the first of several exhibitions to be produced by the San Francisco Airport Museums with loans from the Asian Art Museum.
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Sneak Peek: Bali in Amsterdam

Greetings from the land of cheese and chocolate — Amsterdam. Most of our visitors probably are asking, “Why are staff from the Asian Art Museum in Amsterdam”? Well, I’m here, along with objects conservator Mark Fenn and Associate Curator of Southeast Asian Art Natasha Reichle, planning for the first ever U.S. exhibition of Balinese art.

The exhibition, Bali: Art, Ritual, Performance, will open at the museum in February 2011. But like many of our exhibitions, years of work are needed to ensure that it is a spectacular success.

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Goodbye Samurai

It’s time to send-off another wonderful exhibition. For all of us, the fourteen week run of Lords of the Samurai has felt remarkably short. Compared to the years of work that go into organizing an exhibition of this scale, and the centuries of history represented by the works within, these few weeks are but an instant.

Objects wait for a final condition check before packing

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Countdown to Emerald Cities

Putting together a major art exhibition is not a quick process, with the planning for most shows starting years in advance. But no matter how ahead we begin work, the final two months before an exhibition opens will always be crunch time.

Emerald Cities does not debut until October 23, but its installation is complicated by the concurrent deinstallation of Lords of the Samuari (ending September 20). This is not atypical — we try and keep the turn around time (or “dark time”) between exhibitions as short as possible. Since these two exhibitions share many of the same behind-the-scenes staff, the result is a whole lot of people running around with brains and workspaces messily split between Japan and Southeast Asia.

So here are a few pics of this ongoing mayhem, as museum staff work to complete as much Emerald Cities prep as possible before jumping into packing up Lords of the Samurai.

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