Tiger, tiger

I have just discovered the only reason to want an iPhone.  This impetus, strangely enough, comes from the V&A Museum’s Tipu’s iTiger App.

If you’re not up on the history of colonial inequity, let me explain.  The life-sized wooden and mechanical tiger mauling a European unsubtly summarized the Sultan of Mysore’s feelings for East India Company.  For the Tipu, the imagery of the great beast was an essential psychological trope in defeating the infidel British.  He utilized the tiger motif in many facets of his rule, from the uniforms and weaponry of his “tiger soldiers” to coinage and standards.

After Tipu was killed defending his capital in the fourth and final Anglo-Mysore War in 1799, the automaton was taken as a sort of trophy by the East India Company and displayed in their India Museum for the next fifty years.  Visitors were allowed to “play” the mechanism, which produced the sounds of a man being ravaged by a beast.  Now in the collection of the V&A Museum, visitors are no longer allowed to play organ grinder.  Obviously their staff had grown tired of requests to turn the tiger’s crank, hence the clever introduction of the iTiger.

The catalyst for this story, you wonder?  My most recent score at a thrift store.

It's not a tchotchke--it's history.

Shanghai in a minute

Here’s an amazing time lapse video of Shanghai.

Shanghai-ed | Shanghai In a Minute from Joe Nafis on Vimeo.

Beyond Good & Evil

It’s amazing what one finds when cleaning out the closet–even when that closet happens to be a photo-hosting site.

Since I’m at nearly 7000 images and can’t seem to find anything when I look for it, it’s time to do some tagging.  A bit tedious, but a reasonable way to spend a slow Sunday morning, especially given my selective memory.  The best part about going back in time?  Discoveries like this picture I’d taken of a friend’s photograph from a trip to Indonesia (so meta!).

Whereas traditional wayang kulit (shadow theatre) is based on the great Hindu epics, the Ramayana and Mahabarata, this is wayang wahyu, a form that allowed the Jesuits to spread their word through a means more familiar to their Indonesian audiences.  The piece to the right at first looks as though it is the usual kayonan (tree of life) or gunungan (holy mountain) , but look closely and you’ll discover some non-native imagery.
This is definitely not something you’ll see in our upcoming Bali exhibition, but a fascinating aspect of acculturation.  I know a few readers have traveled in Asia–what are your favorite moments of cultural disparity?

The Other Shanghai: Oakland?

photo courtesy of Bunky's Pickle © used with permission

Although 1940s Shanghai had lost considerable luster courtesy of occupation, war, and revolution, another Shanghai was angling to take its place.  In the same fashion that Hollywood had been responsible for inspiring glamor the world over, nightclubs in search of their own golden era underwent a certain Shanghai-ification.  The city offered a powerful syllogism, an invocation that promised delight and unparalleled decadence.  Even pre-Castro Cuba with its tropical,  imperialist-friendly allure was home to a theater christened “The Shanghai.”

And then there was Oakland. 
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China in the 21st Century–discussion on KPFA this morning

Jeffrey Wasserstrom gave a really interesting interview on KPFA this morning about China. (He comes on at 34 minutes into the morning show).

It made me think anew about the rapid changes China has undergone over the past 40 years. When asked for his predictions for the future of China, Jeffrey said he expects China to keep surprising us since all predictions have been off base for a long time. Jeffrey, who is professor of History at UC Irvine, will be at the Asian introducing some films about contemporary China on September 5 at 11am and 2pm, and at 12pm will be signing copies of his books, including his latest Global Shanghai, 1850–2010.

Shanghai dioramas

A couple years ago, I traveled to Shanghai for the first time on a solo trip. It was awesome! With the World Expo now underway, it seems timely to honor our sister city’s huge “coming out” party with a personal celebration of the unique metropolis.

I’d like to share my pictures from the Shanghai Municipal History Museum. It’s located in Pudong, on the less “interesting” side of the Huangpu River (more developed, boring), in the basement of the iconic Oriental Pearl TV Tower.

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Art outside our doors

If you’ve been around the museum this morning, you’ve probably noticed a flurry of activity across the street from us. In celebration of the Shanghai San Francisco Sister City 30th Anniversary Celebration, the  San Francisco Arts Commission is presenting a colossal sculpture by Chinese artist Zhang Huan, titled Three Heads Six Arms (2008).

We blogged about this upcoming addition to the neighborhood some months ago, and are now thrilled to actually see it going up right outside our doors!

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A Curator’s Notes – Women in Shanghai, Part 1

Historically, many battles have been fought over the body of the woman. So we knew that the images of Chinese women presented in the Shanghai exhibition would be a hot topic of discussion. Interestingly, the most passionate reactions expressed by the public have been focused on a group of images that have these two characteristics:

1. The images were for commercial use, and
2. The majority of them date to the 1920s and 1930s.

I am curious to understand why that is. So in this multipart series (I don’t even know how many blog postings I will need!), I will attempt to make connections that may have been missed or misread, using the artworks and the available texts in the exhibition, such as object labels, wall panels, and exhibition catalogue. But right off the bat, I must say, I am having fun with this topic and it is an incredible challenge!

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There are no guilty pleasures

I got into Project Runway when I caught the mother of all colds last year.  Cable television, in its infinite wisdom, was catching up late-to-the-gamers with an entire season’s worth of shows in a single day and me, being soft in the head, fell hard.  While I don’t stay home to watch it nowadays, I still like to keep an eye on the action, especially given that SF-based Jay Nicholas Sario is in the running this season.
Why am I writing about this on our blog?  Because Sario’s ten fashion week looks were based on last Summer’s Lords of the Samurai exhibition.  Since this combines both work and pleasure, I’m calling for an emergency meeting at my house Thursday night.  Who’s with me?

In case you were wondering,

THIS is what is going on in Shanghai right now.  And this.  But my favorite has to be this. These days I’m just as likely to click on Shanghaiist as I am SFist.  It isn’t enough that I have to keep up with what’s going on in San Francisco; I have to take our sister city arrangement very seriously.

While there’s plenty of excitement in all this potential energy, I’m actually more interested in what will remain after the Shanghai Expo.  We seemed to make out alright, didn’t we?

PS good job Shanghaiist!  We look forward to your reportage over the coming months.