Artworks & Context

Introduction to the exhibition
Spires and goose tails . . .
Preview select artworks
Bird-men of Siam (blog)
The aristocratic house and its furnishings

The regions of the exhibition
Burma
The upland regions
Siam (central Thailand)

Geographical and historical maps

Two reformer kings

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Doris Duke & Beyond the Exhibition

Doris Duke & her Southeast Asian art collection

Burma or Myanmar: which is right? (blog)

Names, Language
Burma or Myanmar: which is right? (blog)
Rocking Bangkok! (rock video, blog)
Thai words you already know (blog)
Thai language transcription (blog)

Buddhism in Burma and Siam
Theravada Buddhism in Burma and Siam
The previous lives of the Buddha

Readings
The Emerald Cities catalogue (blog)
Doris Duke:The Southeast Asian Art Collection by N. Tingley (ddcf.org)
First thoughts on further readings (blog)
More books

Conservation & Behind the Scenes

Conserving the Emerald Cities artworks
Conserving a fragile painting (blog, video)
Conserving a mirrored daybed (youtube video)
Damage control (blog, video)

Displaying a Burmese court costume (blog)
Discovering a new inscription (blog)

Connect

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The Aristocratic House and Its Furnishings

Upper-class houses generally consisted of a number of separate buildings within a large compound. Domestic buildings, traditionally built of teak, were raised off the ground on stilts. This provided greater ventilation in the hot, humid climate, helped keep out animals, and protected the inhabitants and their belongings during floods. Large windows in every wall also promoted cooling ventilation.

The living quarters consisted of bedrooms, a large sitting room, and a dining room. The head of the family and his main wife lived in the central building, which was surrounded by smaller structures for parents, minor wives, children, and service people. The kitchen was also often in a separate building.

Before the mid-nineteenth century, furnishing tended to be sparse and limited to low benches, low tables, cabinets and canopy beds. People mainly sat on the floor during meals and at other times.

Food was served in small bowls, which were placed on a wooden tray with a tall pedestal. Such trays functioned as a little table for each individual. Because several bowls and cups were needed for each diner, households required large numbers of ceramic dishes. The most popular ceramics among the elite were imported Chinese wares such as five-colored (bencharong)) and blue-and-white wares. Many of these were produced in China specifically for the Siamese market, and followed Siamese designs.

Luxurious textiles played a number of roles in well-to-do households. They were used both for wearing and for interior decoration, functioning as curtains, canopies, and floor coverings. High-quality Indian silks and decorated cottons made for the Siamese market, again following Siamese designs, were favored by those who could afford them.

By the latter part of the nineteenth century, Western-style furniture—chairs, dining tables, beds—became fashionable and accessible. Everyday life changed, as people began to sit in chairs and to eat at large tables. Imported European glassware, dishes, chandeliers, and other decorative items were the rage, so that by the 1920s an aristocratic home would have been filled with a mixture of Siamese and imported Chinese and European luxury objects.