Artworks & Context

Introduction to the exhibition
Spires and goose tails . . .
Preview select artworks
Bird-men of Siam (blog)
The aristocratic house and its furnishings

The regions of the exhibition
Burma
The upland regions
Siam (central Thailand)

Geographical and historical maps

Two reformer kings

NEW! View Emerald Cities lectures on iTunes U (requires downloading the free iTunes application)

Doris Duke & Beyond the Exhibition

Doris Duke & her Southeast Asian art collection

Burma or Myanmar: which is right? (blog)

Names, Language
Burma or Myanmar: which is right? (blog)
Rocking Bangkok! (rock video, blog)
Thai words you already know (blog)
Thai language transcription (blog)

Buddhism in Burma and Siam
Theravada Buddhism in Burma and Siam
The previous lives of the Buddha

Readings
The Emerald Cities catalogue (blog)
Doris Duke:The Southeast Asian Art Collection by N. Tingley (ddcf.org)
First thoughts on further readings (blog)
More books

Conservation & Behind the Scenes

Conserving the Emerald Cities artworks
Conserving a fragile painting (blog, video)
Conserving a mirrored daybed (youtube video)
Damage control (blog, video)

Displaying a Burmese court costume (blog)
Discovering a new inscription (blog)

Connect

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Doris Duke and Her Southeast Asian Art Collection

Doris Duke (1912-1993) inherited a fortune from her father James Buchanan Duke, a tobacco and hydropower magnate and benefactor of Duke University. From the time of a honeymoon tour to India, Thailand, Indonesia, and other Asian countries in 1935, Doris Duke was fascinated with the region’s cultures. In later decades she gathered countless antiques and artworks on her worldwide excursions and assembled notable collections of Islamic and Southeast Asian art.

Duke herself was a notable personality who featured prominently in celebrity magazines. This exhibition featuring artworks from her collection tells a little-known chapter of this intriguing woman’s life.

Doris Duke’s Southeast Asian art collection comprised more than 2000 artworks and other objects including woodcarvings, furniture, traditional costumes, weapons, theatrical masks, and musical instruments as well as utilitarian household utensils and pottery. The collection was housed at Duke Farms—Doris Duke’s estate in New Jersey—where for many years it remained largely unknown to both the public and specialists. Many art objects were displayed in a handsome converted coach barn. Others were stored in an indoor tennis court and an indoor shooting gallery.

After Doris Duke’s death in 1993, her Southeast Asian art collection became the responsibility of the trustees of the Doris Duke Charitable Foundation. After careful consideration, the trustees decided that Doris Duke would have wanted the objects to be shared with the public, and approved a plan to donate the collection to appropriate museums. The Asian Art Museum of San Francisco and the Walters Art Museum in Baltimore received the largest donations. In total, the foundation donated nearly 700 objects to some twenty museums across the US and abroad.

Before donating the collection, the foundation commissioned a book by Dr. Nancy Tingley, formerly a curator at the Asian Art Museum, to document the history and significance of the collection. The book, Doris Duke: The Southeast Asian Art Collection, is available in the museum store and can be downloaded free of charge from the Doris Duke Charitable Foundation’s web site.