Artworks & Context

Introduction to the exhibition
Spires and goose tails . . .
Preview select artworks
Bird-men of Siam (blog)
The aristocratic house and its furnishings

The regions of the exhibition
Burma
The upland regions
Siam (central Thailand)

Geographical and historical maps

Two reformer kings

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Doris Duke & Beyond the Exhibition

Doris Duke & her Southeast Asian art collection

Burma or Myanmar: which is right? (blog)

Names, Language
Burma or Myanmar: which is right? (blog)
Rocking Bangkok! (rock video, blog)
Thai words you already know (blog)
Thai language transcription (blog)

Buddhism in Burma and Siam
Theravada Buddhism in Burma and Siam
The previous lives of the Buddha

Readings
The Emerald Cities catalogue (blog)
Doris Duke:The Southeast Asian Art Collection by N. Tingley (ddcf.org)
First thoughts on further readings (blog)
More books

Conservation & Behind the Scenes

Conserving the Emerald Cities artworks
Conserving a fragile painting (blog, video)
Conserving a mirrored daybed (youtube video)
Damage control (blog, video)

Displaying a Burmese court costume (blog)
Discovering a new inscription (blog)

Connect

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The Upland Regions of Eastern Burma and Northern Thailand

The arts of the upland regions of eastern Burma (Shan State) and northern Thailand are less well known and less studied that those of central Burma and central Thailand. The gift art objects from the Doris Duke collection gives the museum the opportunity to present fine examples of the arts of these areas.

Because of the changing political fortunes of the upland regions, as well as considerable movement of artists and artisans from one region to another, the arts of these areas show connections with those of both central Burma and central Thailand, while retaining many characteristic features.

These upland areas are inhabited by peoples who speak languages related to Thai. Like the Burmese and the central Thai they follow Theravada Buddhism, but at the same time they share certain customs and ways of life that distinguish them, to some extent, from their neighbors. For example, their regions were sometimes cooler than the lowlands of central Thailand and southern Burma, necessitating different sorts of clothing. The climate also permitted growing crops such as tea that did not flourish in the lowlands.

Because their territories were far inland, the Shan and northern Thai peoples were isolated from the international maritime trade on which Bangkok, Rangoon, and other coastal cities thrived. This also meant that European goods, ideas, and styles took longer to reach the Shan and northern Thai areas. But the location far inland also gave some protection from British and French military forces arriving by sea.

The degree of political independence of the Shan and northern Thai areas varied through the centuries. Often local princes had to acknowledge the authority of either the Burmese or the central Thai capital, but usually this relationship was largely ceremonial. As long as sufficient gifts were sent to the capital, and princesses were regularly provided as wives for the far-off kings, localities could keep a good deal of control of their own affairs.

In some periods, however, the Shan and northern Thai peoples had sufficient strength to pressure their neighbors, or to form powerful and influential kingdoms. The kingdom of Lan Na, centered at the major northern Thai city of Chiang Mai, saw a brilliant cultural flowering in the 1400s but was later controlled by both the Burma and Siam at different times.

Other regions of the exhibition

Burma
Central Thailand